Bells tinkled on the ankles as the Khatak dancers made their way to the stage. It is one of the most beautiful sounds to hear, especially when one is waiting with great expectancy. The sounds produced from it are rhythmic. Even before the percussion instruments start to play and the dance gets under way, the ankle bells or ghungroos as they are called , already makes music to tingle our senses.
Khatak, derived from 'katha', a Sanskrit word means 'story'.Witnessing this classical dance which originates from North India, was a real treat. The interactive lecture /demo by accomplished teacher, Geetanjali Singh and her troupe of dancers mesmerised the MCG ( Malaysian Culture Group) members who filled the auditorium of the ICC ( Indian Cultural Centre). I am familiar with the the other classical dances like the Bharatanyatam and the Odissi dances. But it was a first witnessing the Khatak which is derived from the dance dramas of ancient India. This dance form developed over the years and by the end of the Mogul rule, it was a popular entertainment. There are 8 classical dances in India : Bharatanyatam, Odissi, Mohiniattam, Kuchipudi, Kathakali, Manipuri and Khatak.
The structure of a conventional Khatak performance tends to follow a progression in tempo - from slow - fast and ending in a dramatic climax. Geetanjali put us through the paces of clapping the tempo. Counting and timing is of utmost importance. And she demonstrated the steps as the beat was clapped. The sounds of the bells and feet harmonize with the percussion instruments. The main accompanying musical instruments are the tabla, sitar, sarod, harmonium, sarangi etc.
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| Happy to express herself |
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| One of the dance poses |
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| In harmony - teacher and students |
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| Geetanjali Singh has been a disciplined dancer since young. At a tender age of 3 she was already dancing! |
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The skirt is cut such that when a dancer pirouettes, the skirt swirls and flares out during a spin .
The complex footwork performed with dexterity. |
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| Students showing off their skills |
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| Amazing talent and discipline among the dancers - we were told they had only a few months of learning and they were ready to perform before a live audience. |
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| After the demanding dance routines, the dancers still looked fresh as daisies. |
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| Besides the dance steps, Geetanjali also showed her skill in the abhinayas - the art of expression. Not only does the body express itself, the sentiments are felt by the audience. |
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| A lovely attire with the embellishments makes it complete for the dancer. |
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| Ghungroos - tiny, brass bells - Geetanjali's numbers 100! Students start with 25 and as they progress to a higher competency,- they wear 50 and finally 100. The bells are tied together to a cloth and worn above the ankle during a dance performance. |
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| Red was my lucky colour that morning. See, I got to have a photo taken with Geetanjali |
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